The Hegelian concept of art: Emerson

Ralph Emerson(1803-1882) has took again Friedrich Nietzsche (1844-1900)fore his conception of morality that was determined from a morality that has involved also Nietzsche in his German society, the years of Belle Epoque, when the middle class was very principal factor of economy in Europe, and in nascent country, after the “revolution”, as the United States the same phenomenal was by now normal and determined; hence the two philosophers have had same reaction, Emerson was more precise in confront to Nietzsche because he explain, in his book The character and the human life, explication more precise and very much attentive, evidently he used the speculative method and he has not officially imposed, but in conformity to moral customs it was present; we must also consider that the reaction was the same because the middle class, very active in the merchant and business also in USA, has followed determined customs that were peer to the middle class of Europe, but behind this hypocrites moralism and respectability, was the growth of a country that hasn’t the owner models hence followed other models, as Emerson has followed both Nietzsche and for his think about the art has followed Georg Wilhelm Friedrich Hegel (1770-1831) of Aesthetic, a step of the book of Emerson is indicative of this concept: “The with being progressive it never repeats itself, but to every act it tries the creation of a all new or beauty. It is manifest both for the works of beauty art, and in the useful art, for to use the popular distinction among the arts, that classified it on base to sake. In the beautiful art isn’t the imitation but the creation that is the sake”; it is the absolute wit of Hegel that in the Aesthetic is dominant, Hegel was also involved from the idealist wit and Emerson has followed the same conception, because he has expressed through other words the same concept; for Hegel the useful of art isn’t, instead for Emerson that has took the common scansion among the arts, this is useful and beauty, he has took Hegel and he has limited the presence of German philosopher to the beauty arts, and he continued with his hide Hegelianism: “In the landscape the painter must suggest to us the idea of a creation more beauty…”; it is the pure idealism of Hegel that in the Romantic art, this is the painter of 19^th century, he says that the image is the tool for the absolute spirit, this the knowledge of absolute spirit, that alone in the Romantic art can recognizes itself; inasmuch of Emerson is: “in the landscape the painter must suggest to us the creation more beauty…”; it is the Hegelian idealism in the Aesthetic, the spirit that can recognizes itself in the Romantic art; we must also consider that although the two philosophers not were contemporary but they lived the same romantic moment and they has took the same spirit, this is the opinion, the in 19^th century was dominant; thereby Emerson has followed the German culture, for a side he has took Nietzsche and for other side he has took Hegel.

Alessandro Lusana