Schematize is the potential act

If we think something , truly we make a scheme, this is  the synthetic form and image that in reality is very different , because we after enrich of particulars that aid us  to make clear the scheme, that before is very poor, but that is necessary to stop the idea and image; hence  our procedure to beginning is alone a scheme, for example an architect he begins trough the elementary forms, that after he enrich with particulars that  in primary scheme aren’t; the same intellective process is to the writer, that find an idea in reality or in his read  and after he enriches  trough the particulars, but by beginning it is alone a scheme, a synthetic form that has potentially everything necessary; this scheme not hold the universal , this is the absolute idea made, but alone the particular, this is the reality that is alone the beginning of other particular, a hinted a reality that is alone  the synthetic  composition of more complex reality, that trough  progress become idea ended, but now it is in potential, in conformity of opinion of Aristotle, it is alone the τέλος, this is ended is successive, although the particular means the universal, but in potential, and can’t be  exist an universal already ready, because it would means that the scheme isn’t, but it is present always in concept, in brain and after it becomes the finished act, but alone potentially because the ended act, this the τέλος is future, but it is alone potentially, the scheme is potential  universal as above, and universal that, I repeat, isn’t metaphysical but alone real, although partial real because the scheme is alone a hint, that is graphic  or verbal but alone  hinted, hence it is  alone a summary image of all, that after becomes act. Same dynamic of allegory, that is always a potential act, but again summary, because the meaning is hide and we must find it; inasmuch the allegory alone partial because it gives to us the image but it not explains why this image, for example the allegory of Dante Alighieri(1265-1321), that entered  to a dark wood, in Divine Comedy, it is an allegory, that after Giovanni Boccaccio(1313-1375) has explained as the sin, but without Boccaccio we, may, interpreter this wood a natural production; whereby the Boccaccio is the act of potential, this is the end of meaning. Same dynamic  of symbol, from ancient Greek σϋμβάλλω. Set together; the potential valor of symbol is similar to allegory, because it is a valor  certainly real but hints to other, thence is partial, because the particular, this is real can, differently from the allegory, referrers to material earth or metaphysical , for example: a cross is symbol of a religion, this is the Christianism, hence it refers to a God that is universal, the material cross is alone half of  meaning, but the cross is alone material, although it refers to a metaphysical concept.

Alessandro Lusana