The semiotic of light
The light is natural phenomenal that every day we can
ascertain and that allow to us of to see, to distinguish and to recognize
everything in fact when it isn’t we can’t make the actions above mentioned; but
the light has also a semiotic nature
beyond the appearance; the light is in
the Holy Bible has the semiotic valor because in Isaiah(9-2) the text says:
“The people that is walking in the dark, seen a great light…”naturally the
explication is alone semiotic or better
it is theological, the light is salvation in the Christian semiotic, it is the
Christ that is salvation of mankind that before his birth was saved from its
sins, and saved from the dark. Always Isaiah(42-6) says: “ I the lord have
called you in the justice, I have hold you by the hand and I have protected
you. And I have wanted that you become make of peace of people, and the light
of nations”, and same(49-6)I have made you light of people”, and: “You not is
going to have the sun for the light of day…but God is going to be light
eternal”. John evangelist(1-5) says: “And the light shines among the dark”, and
the same(8-12): “Christ said to them, I am the light of word”, and the semiotic
in this step is dominant: “Christ said them: the light is in you again for
short time. Walk until you are going to have the light, so that the dark not
catch you. The light is the faith and the salvation of word, why this
assimilation? Simple because the enables of to have certain, inasmuch also to
be secure by dangers or evil other. In
painting the light has other valor and it depends by the style of painter and
the costumer, fro example: in Venetian
school the historical art men known that the color is the first element, this is the intense
colors that that Titian Vecellio(1488-1576) has used for his painting, as his
master Giorgione(1477-1510), and thank to these two painter the Venetian school
is identified through the color, but also the light the intense light that both
Titian, Giorgione, Giovanni Bellini (1430-1516), Giovanni Antonio Canal(1697-1768),
called Canaletto; and always for the painting the intense meaning has given
from Caravaggio, this is Michelangelo Merisi called Caravaggio(1571-1610) that
has showed the reality but with theology in, for example: the first version of
saint Matthew(Fig.1) that everybody think is destroyed during the second world
war(Fig.2) instead it is in basin of a museum of Moscow, because it was steeled
from a soldier of red army during the year 1945; anyway the light is very theology because the angel
that leads the hand and the same saint are illuminated from God, the light is
God; the light that illumines saint Matthew
in the call(Fig.2) and the sinner besides is other theological meaning, What
is? Simple that Christ is salvation for
the saint and sinner that ignores Christ because he is counting the money. The
light hence has much meaning and various representation to you the choice.
Alessandro Lusana
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