Other Gregorian’s

To Christ and centurion (Fig.1) is possible attribute it to same painter of Two Blind(Fig.2), in same gallery, who now he seems keeps some consideration to style, hair of centurion follows that of figure on left in episode with Preach on lake of Genezareth, but he sees very well also the chromatic made of pupil of Lombardelli to Vocation of Apostle(Fig.3), but he strengthen iridescent light and plastic form; mantle of Christ take again that of episode of two blind, extended made of cloth and finger of Christ follow same in episode mentioned; more over brushstroke which makes face follows that of two figure on right side; therefore a pupils of Sabatini who take all but after he personalizes. To Multiplication of bred(Fig.4) is same collaborator who has worked to Enter in Jerusalem(Fig.5), beard very compact follows that of Christ in that episode; brushstroke very summary on the faces, on right side, remind figures on left side, back Christ, in Enter; cloth of figure on back in centre in second plane, in same episode, it feels influence by figure mentioned above all for folds and light. To Christ in home of Marta works same master of Enter, board and hair of same Christ are mirror to episode with Enter; cloth of girl, on left side, translated that of same side of Multiplication, and profile of same figure considered follows that of girl; more over posture of hand, on bottom of our episode, follows both hand of figure in first plane and that of woman in second plane, on left side, in episode of Multiplication, which is same Master of Enter. To an collaborator of Sabatini is attributable brushstroke of drawing with Mother of sons of Zebedeo(Fig.7); fluent hair and fingers are similar to an angel(Fig.8) whom I have given back to collaborator of Sabatini, lips of figure follow that of other angel(Fig.9), and to cloth emerges a conjunction almost organic with two Angels(Fig.10-11); cloth plastic flouncing of first angel and light to second, fingers are took by Christ in episode of Christ and centurion; but the cloth remind also other author, who is collaborator of Sabatini who has worked to Flight to Egypt(Fig.12), but now he works with less precision. To this collaborator whom we call Master of Zebedee’s sons, is author also of episode with Peter find money in mouth of fish(Fig.13); hair is same take again that of Christ and child, in centre, in precedent episode, cloth of Christ takes that of same child, but now with strong folds; sharp fingers of girl, on right side in precedent episode, take for typology both of Christ and saint Peter in our episode, and fluent hair and board are mirror to same in precedent episode. To Lazaro’s resurrection(Fig.14) author is Giorgio Picchi, anatomy of restored to life reminds figure on cross in Miracle of true cross in Mercatello sul Metauro(Fig.15) episode, very tiny leg of restored to life remind those of figure on the cross, already mentioned, arms equal tiny, the neck of Christ in our painting remind that of figure considered, cloth of Lazaro’s, with folds scanned translates of figure, on left side, in same altarpiece. To Tribute to Caesar(Fig.16) works a collaborator of Sabatini, and in fact we understand precise work to cloth, although here took by a collaborator, who sees to colleague of Vocation of Apostle(Fig.17), fluent worked laps up that of Sabatini; brushstroke on the face  follows that of Christ and apostles in mentioned episode; therefore principal moment of this painting is cloth, directly assumed and without second thought. The last painting, Oration in garden(Fig.18) is worked by a modest collaborator of Sabatini, who seems assimilates some word of language of master; in fact eyes and some suggest cloth, all with usual borders of collaborator, who now last occasion very important for learned something to stylistical culture.

Alessandro Lusana  

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