Work so

Agatha was a student of art history who has travelled in Europe, and has seen all museums in USA, she has a large experience for her visits, she loved her job and she now attended a doctorate, or better she must end this doctorate with her thesis, and she has chosen an argument very original, how is born a artistic work. She, after this choose, has gone to bed, and when she awaked she listened very rumours around, cries and tools for job, a voice above all which ordered and given advises. When Agatha was awake smiled and she recognized that was an artistic store; she seen with interest this work and she recognized soon a sculptor whom she has studied and admired, Alessandro Algardi; in fact he was working a high relief with a horseman and other figures; it is was a chapel a papal chapel of pope Paul 5^th Borghese, which Agatha recognized soon because she has seen at past time; and she looked to bottom wall and she recognized a sculptor whom she has loved much, Francesco Mochi, who was busied at deep think for continued a work which his master, Camillo Mariani, hasn’t ended, therefore he looked around and he is searching an idea; Agatha who has studied this work when was terminated naturally known composition, and in fact she approached to Francesco and: “I think that you are in trouble”, and Francis not turned but: “Women do always delay, where the fuck were you?”, and Agatha: “I must admit: you are a true gentleman!”, and Francis: “Agatha I am in shit and I haven’t drawing for this marble, don’t break balls”, and he turned and took a chalk in the floor. Agatha though for a moment and: “Fifteen figures, one in front of other and a horse and horseman, but this toward to space”, and Francesco: “Donatello has made it!”, and Agatha: “Yes, but he has alone suggested third dimension you, on contrary, give it, because your horse at this moment is moving; you make third dimension not suggest alone”, and Francesco: “It is realism!”, and Agatha: “Like the Baroque, is real, and you are realist, also for future costumers”, and Francesco took black chalk and he drawn on the floor what Agatha has described. Francesco sometime stopped himself but after he started again, some break for to think and again drawn; after half hour he has ended, and he called Agatha who meantime looked other sculptors and  painters, in fact she recognized Guido Reni, Giovanni Baglione, Giuseppe Cesari and others, but she looked them but they not looked hers, alone Francesco could speak and look hers; but Francesco looked around and seen that Agatha was busied with others, and: “Agatha, fuck, do you want came here?”, and Agatha: “True gentlemen,  so delicate. I think that you are jealous”, Francesco looked in the eyes and searched something, therefore Agatha: “What do you are searching”, and Francesco: “I has the last fuck off for this day, but perhaps I have lost”, Agatha smiled and Francesco: “Because I must be so real, so true, so human”, and Agatha: “Because you will use this stylistical code also with the Annunciation in Orvieto”, Francesco looked intensely Agatha and: “I don’t neither where is Orvieto, and I haven’t worked there”, and Agatha: “You will work soon”, in fact after some time when this marble was ended, in store of Francesco, in Rome, a man entered and asked: “Mister Francesco Mochi?”, Francesco not was present but Agatha yes, and she who known all and known that this costumer was for Annunciation, in conformity with life of Mochi, she  appeared by door of store and whistled forward Francesco, who turned and: “What is?”, and Agatha: “The Annunciation for Orvieto, move, now!!!”, Francesco: “Now? My God”, he entered soon to store and bowed he asked: “What I can make to you?”, the costumer turned, looked Francesco and: “Mister Francesco Mochi?” and Francesco: “Yes”, and costumer: “I am a responsible for decoration of cathedral Orvieto’s, and I want a sculpture with…”, and Francesco: “Whit Annunciation”, costumer looked Francesco and: “Yes, how do you know it?”, and Francesco, who meantime looked Agatha, who looked with expression very resigned Francesco: “But I have though that you would a Annunciation”, and he looked again Agatha, who approached to Francesco and to his ear talked: “Because I have known that somebody would an Annunciation for Orvieto”, and Francesco with happiest expression: “Yes”, but he talked with Agatha that he could see alone, therefore costumer though that Francesco was talking with air, therefore he approached to exit, but Francesco stopped him and: “When will arrive marble?”, and costumer: “When you say to me how much in this room”, and Francesco: “Two, why?”, and costumer: “Very good, you must work soon because marble is ready!”, and Francesco: “Your orders!”, and costumer after to exit looked around because he was searching somebody whom Francesco spoken. In Orvieto Annunciation with help of Agatha gone very speed, and Francesco followed advises of Agatha until other commission, a saint Martha, and Francesco, now worked in Rome, therefore called: “Agatha, Agatha where the fuck were you? Yes I am true gentleman”, and Agatha: “What do you want?”, and Francesco: “We are now to saint Martha and now you must take again your position”, and Agatha: “Yes now I remind, I must be saint Martha”, in fact she took posture and now she wait that a new costumer askes to Francesco other sculpture. 

Alessandro Lusana

Start for a council

Annunciation

Saint Martha